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铁拳教育韩国剧少年潜望镜限制级阿姐万岁大头儿子和小头爸爸动漫长河落日国产剧尸房菜剧情片模范出租车3韩国剧左邻右里 限制级游戏王5D's动漫年轻的姐夫 限制级沙海国产剧公主恋人-OVA限制级
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.